Xu and Leung sat down with Film Obsessive to talk about their friendship, the high brainstorm that led to this movie, and how the metaverse they created allowed for emotional depth between two stoner bros.

Film Obsessive sat down with Torres who wrote, directed, and starred in Problemista and our site’s full review. He talks about his magical realism tendencies, the myth of the American Dream, and making art that speaks truth.

Directors Samantha Jayne and Arturo Perez Jr. had some pretty big shoes to fill when they signed onto Mean Girls (2024).

Film Obsessive sat down with Goossen to talk about how he began his career in film, his longtime collaboration with Povitsky, and how Drugstore June manages to tell a modern story without overly relying on technology.

Film Obsessive sat down with Emilie Levienaise-Farrouch, the film’s composer, to talk about building the sound for this meditative reflection on grief, love, and loss.

Emily Ruhl is back on the festival circuit as an executive producer for Georden West’s debut feature film, Playland, and sat down with Film Obsessive to chat about the beginning of her love of filmmaking, the joys of producing, and necessity of safe spaces. 

Film Obsessive sat down with Castellanos and Garcés to chat about En La Arena, their creative journeys, and the powerful impact of representation.

Despite how realistic and honest The Starling Girl feels, writer/director Parmet did not grow up in a community like Jem’s. Instead, she focused on what made Jem’s experience universal.

Film Obsessive sat down with the writer/director duo behind You Can Live Forever, a new queer romance now available to digitally rent and own.

First and foremost, composer Patrick Jonsson is a film lover. Despite the fact that he went to school at the Berklee College of Music in Boston, Massachusetts, and has an impressive career as a composer, film will always be his first love.

Brian McOmber is responsible for the score that supports the tension-filled Fair Play. He’s no stranger to the world of indie film and had three separate projects at Sundance this year.

Heather McIntosh’s journey to becoming a film composer began in an unlikely place: synthesizer lessons.

Looming over director Luca Guadagnino’s Bones and All is the notion that this coming-of-age love story is just a bit different than what most people are used to. The young lovers (Taylor Russell and Timothée Chalamet) are not shunned for their romance, but rather because they’re cannibals. However, writer Dave Kajganich hopes people see beyond the film’s initial strangeness.

In celebration of Merry & Gay’s release, Film Obsessive sat down with director Christin Baker, as well as Dia Frampton and Andi Rene Christensen, the film’s two leads.