While the three-hour runtime will scare many away, those who immerse themselves in Kokuho will be taken on an epic adventure that encompasses friendship, rivalry, and the murky inbetween.

For a film that will have “A Benoit Blanc Mystery” added to its title, Wake Up Dead Man feels far away from that detective.

Counted Out unlocks the door to the larger issues that arise at the elementary education level and lays out a path on which we can move forward.

American Baby seeks to foster a space for conversation about the choices, both hard and easy, that come with pregnancy.

In this restored, 4K Ultra HD format, How the Grinch Stole Christmas feels more alive than ever.

Some people really will do anything for a chance at fame, and Don’t Trip is a rollercoaster of an exploration of what it takes to make dreams come true.

Time Travel Is Dangerous is a low-fi, sci-fi romp that feels specially and expertly made for the lovers of smart, dry humor.

While Fatima Hassouna is no longer alive to see it, Put Your Soul on Your Hand and Walk is a powerful continuation of her desire for people to see the truth.

Rivers of Grass is beguiling in its natural beauty and heavy on the soul when it addresses what humans have done to our planet. It’s a plea for conservation, one that existed long before Worztel’s camera started filming.

The finale duet between Erivo and Grande is a goosebumps-inducing moment, but one that’s powerless against the rest of Wicked: For Good. 

Heaven might be a place on earth according to Belinda Carlisle, but Keaton’s Heaven argues that it’s our own creation, both attainable and just beyond our reach.

Keeper is haunting, but doesn’t linger, even though it’s anchored by a powerhouse performance from Maslany.

Bugonia isn’t regret, but remorse, and that stings all the more.

From its appreciation for the action movies that came before to its message of found family, Stone Cold Fox is a revenge tale wrapped in a hug.

Take from Me masks itself as a slow burn of a thriller, but it’s really a melancholic exploration of the hold grief has on all of us.

The Big Cheese is bright, tangy, and bold, and with a description like that, I’m sure a cheesemonger could pair the documentary with a delectable wedge of something cheesy.

The Things We Kill is a morality play displayed through a slow burn of a revenge thriller that rewards those who are patient.

Nouvelle Vague is not the act of rebellion it documents, but it is a charming escape to a time film lovers wish they could’ve experienced firsthand.

Jay Kelly is a mournful, humorous reflection of life and the fact that, try as we might, we cannot have a do-over.

Ben’s story is not unique. There are young people around the world trying to find the words to describe themselves, and I Wish You All the Best will give them a place to start.