In the Summers is as miraculous as the hazy days of nothingness that amount to everything.

For those who like a little murder with their romance, let Heart Eyes be your Valentine this year.

The Indigenous Cinema Alliance will celebrate 10 years of highlighting the best in global Indigenous film and television. The exciting line-up of movies and events will elevate and celebrate work on a major international level as part of the 2025 European Film Market and the Berlinale.

Suze is a sweet little comedy about the aches and pains of growing up, whatever age you are. 

Daughters does not tell the audience what these men did that brought them to this jail, but it does look to what comes next for the fathers and the daughters and the power of programs like this one to reform the prison system.

Not An Artist is for all the artists out there, whether they call themselves one or not. 

The fun of Companion is in its unfolding and in Thatcher’s masterful understanding of a woman fighting to live for herself and no one else.

Presence is not horror in the way one might expect, but it speaks to the deeply human fear of ceasing to exist.

La cocina is careening off the edge of the world at breakneck speed, not for greatness or millions of dollars, but for the simple ability to live a better life.

Janet Planet is for the weirdos who found more solace in art than they did with other people when they were young. For the adventures taken and missed, all in the name of growing up.

Instead of stealing the Declaration of Independence, Step Back, Doors Closing is stealing hearts while wandering through the Smithsonian museums. 

Eternal You is a stark, worrisome look at what lies ahead should our lives become even more rooted in technology than they already are.

We can be monumentally hurt by the people closest to us, but we can also be supported in a way unlike any other. This is the dueling reality of family, in all definitions, and the beating heart of Allswell in New York. 

It’s a story that’s been told before, but one that is executed in such a thrilling, white-knuckle way that Birdeater sets itself apart from the crowd of similarly-themed films. 

“They made us strangers in our own land.” While No Other Land doesn’t explicitly state it, the documentary has found an answer to the animosity between Palestine and Israel. That is to meet people who are unlike you.

That’s what The Grab boils down to: how do we get people to give a damn? To even ask that question highlights a disappointing reality of the state of humanity, and it’s not a new question at all.

The Last Showgirl is a showcase for Anderson and a celebration of a light still burning bright.

The Order is bleak, and it should be. As a society, we must reckon with the realities of the world that have been brewing for hundreds of years.

Queendom is a subversive look at an artist who refuses to give up the fight.

Sugarcane is compassionate, yet damning, a delicate balance of genocidal exposé and a space to heal.