In the case of Kyle Misak’s 2025 Fantastic Fest-premiering film, Bad Haircut, the problem isn’t with the haircut itself, but with the barber who wields the scissors.

Aztec Batman: Clash of Empires is a deeply personal project, and this legacy component of the project is something composer Ego Plum is still trying to wrap his head around.

The participants in Sean Cisterna’s documentary will be the first to tell you they don’t want anything to do with horror movies, but that didn’t stop them from being part of making one.

Five years ago, Lucía Aleñar Iglesias’ short film, Forastera, premiered at the Cannes Film Festival. You may remember that five years ago, things looked a little different because of the COVID-19 pandemic.

Burnin' Percebes is a writing/directing duo composed of Fernando Martínez and Juan González. The Fantastic Golem Affairs marks their fourth collaboration together, but at this point the two don’t see it as two people working together.

Dan Deacon is a jack-of-all-musical-trades. Over the summer he performed the national anthem at Camden Yards, he toured across the country with his solo work, and now he’s coming to HBO on Sunday nights with the score the for Mark Ruffalo-led crime drama, Task.

We’ve all had those days when the world feels like it’s out to get us. When everything that can will and does go horribly wrong. Ironically, bad days can also be a source for creative inspiration. That was the case with writer/director Rani DeMuth’s And Now I Lay Me Down.

Writer, director, and star Matthew Campanella talks about the film’s inspiration, the family affair of filmmaking, and the merits, or lack thereof, of jarred pasta sauce.

Dacre Montgomery sat down with Film Obsessive News Editor Tina Kakadelis to discuss finally playing an Australian role, challenging audiences with difficult films, and what his creative voice sounds like.

When looking for a composer for the series, The Eyes of Wakanda called upon Hesham Nazih, who scored the Moon Knight series, but that wasn’t the beginning of his career.

James Everingham didn’t set out to be a film composer, but at seventeen, he found himself at Abbey Road, recording his first feature score. Since then, he’s spent ten years collaborating with Hans Zimmer, won a ​​Televisual Bulldog Award for BBC's Frozen Planet II, and working in the worlds of film, TV, and video games. Everingham is once again teaming up with Zimmer for the score of the Apple TV+ series Chief of War.

It took Kelsey Taylor seven long years to develop her take on Little Red Riding Hood. By the time To Kill a Wolf became the film audiences are able to see now, very little of her original concept was still part of the script. One of the things that made it through the test of time? Taylor herself.

Dara Taylor sat down with Beyond the Cinerama Dome to discuss the dreamlike way she was added to the MCU, tying Riri’s journey to the existing world of Black Panther, and the art of bucket drumming.

Production designer Udo Kramer who sat down with Beyond the Cinerama Dome to discuss joining the series in the second season, blending the old and new worlds together, and his favorite sets from the show. This transcript has been edited for length and clarity.

In the Tribeca-premiering short film, A West Side Story Story, co-writers Aditya Joshi and Ana Luz Zambrana imagine what this classic musical would look like if it was authentically Puerto Rican.

Carlos Rafael Rivera chatted with Beyond the Cinerama Dome to discuss his longtime friendship with Scott Frank, how Ozzy Osborne’s Blizzard of Ozz changed his life, and the ascending and descending melodies of Dept Q that serve as the backbone of the score.

The role of a cinematographer is one of the most misunderstood jobs in the film industry by the casual move fan. What does it mean to be the director of photography? Pedro Castillo virtually stopped by Beyond the Cinerama Dome to demystify the job.

Kate McCarthy sat down with Beyond the Cinerama Dome to discuss her lifelong love of ’70s variety shows, the world of the American Film Institute, and the inherent luck that goes into filmmaking.

Olivia Accardo sat down with Beyond the Cinerama Dome to discuss the short’s origins, the vulnerability of absurdity, and the magic of rural Oregon community theaters.

The duo sat down with Beyond the Cinerama Dome to discuss their collaborative process, the role they see their score playing, and their other upcoming project, It’s Dorothy!, that is premiering at Tribeca next month