James Everingham didn’t set out to be a film composer, but at seventeen, he found himself at Abbey Road, recording his first feature score. Since then, he’s spent ten years collaborating with Hans Zimmer, won a ​​Televisual Bulldog Award for BBC's Frozen Planet II, and working in the worlds of film, TV, and video games. Everingham is once again teaming up with Zimmer for the score of the Apple TV+ series Chief of War.

It took Kelsey Taylor seven long years to develop her take on Little Red Riding Hood. By the time To Kill a Wolf became the film audiences are able to see now, very little of her original concept was still part of the script. One of the things that made it through the test of time? Taylor herself.

Dara Taylor sat down with Beyond the Cinerama Dome to discuss the dreamlike way she was added to the MCU, tying Riri’s journey to the existing world of Black Panther, and the art of bucket drumming.

Production designer Udo Kramer who sat down with Beyond the Cinerama Dome to discuss joining the series in the second season, blending the old and new worlds together, and his favorite sets from the show. This transcript has been edited for length and clarity.

In the Tribeca-premiering short film, A West Side Story Story, co-writers Aditya Joshi and Ana Luz Zambrana imagine what this classic musical would look like if it was authentically Puerto Rican.

Carlos Rafael Rivera chatted with Beyond the Cinerama Dome to discuss his longtime friendship with Scott Frank, how Ozzy Osborne’s Blizzard of Ozz changed his life, and the ascending and descending melodies of Dept Q that serve as the backbone of the score.

The role of a cinematographer is one of the most misunderstood jobs in the film industry by the casual move fan. What does it mean to be the director of photography? Pedro Castillo virtually stopped by Beyond the Cinerama Dome to demystify the job.

Kate McCarthy sat down with Beyond the Cinerama Dome to discuss her lifelong love of ’70s variety shows, the world of the American Film Institute, and the inherent luck that goes into filmmaking.

Olivia Accardo sat down with Beyond the Cinerama Dome to discuss the short’s origins, the vulnerability of absurdity, and the magic of rural Oregon community theaters.

The duo sat down with Beyond the Cinerama Dome to discuss their collaborative process, the role they see their score playing, and their other upcoming project, It’s Dorothy!, that is premiering at Tribeca next month

Dominik Scherrer sat down with Beyond the Cinerama Dome to discuss his roundabout road to becoming a composer, the unexpected difficulties of this score, and the rhythm he relies on to balance the differing emotions of the series.

Sam Hayes sat down with Beyond the Cinerama Dome to discuss the film’s North American premiere, the never-ending need for coming-of-age films, and everything that comes with growing up.

Duncan Thum sat down with Beyond the Cinerama Dome to discuss returning to Chef’s Table, the research that goes into each episode, and his personal connection with one of the chefs.

Mark Orton sat down with Beyond the Cinerama Dome to discuss his musical roots, his use of antique instruments, and the challenges of balancing love and fear.

Co-directors Crystal Moselle and Jon Kasbe sat down with Beyond the Cinerama Dome to discuss the film’s journey to wide release, meeting Sophia, and if there is still a chance for everyone to learn empathy.

Paul Koch sat down with Beyond the Cinerama Dome to discuss his musical roots, frequent collaborations with the McManus brothers, and how his other recent project, Black Heat, bears some unlikely similarities to Redux Redux.

Stephanie Kaznocha sat down with Beyond the Cinerama Dome to discuss her career as an editor, the heart of Confessions, and the novel experience of cutting A Nice Indian Boy to the film’s lush, sweeping score. This transcript has been edited for length and clarity.

Ahead of Hello Stranger’s run as part of the London Games Festival, Paul Raschid sat down with Beyond the Cinerama Dome to discuss the capabilities of interactive film, the added value of audience participation, and his second interactive film of 2025, The Run.

Kulkarni sat down with Beyond the Cinerama Dome to discuss the beginning of her composing career, her second collaboration with director Roshan Sethi, and the best part about Indian weddings.