“The End of Oak Street” Cares More about its Dinos Than its Humans
The End of Oak Street has wrapped itself in the trappings of the blockbuster greats of yesteryear without seeing it through all the way.
“The Odyssey” Doesn’t Tread a New Path
Christopher Nolan’s The Odyssey is an undeniable feat of filmmaking, but one that struggles to make sense of its mortal purpose.
“Mother Mary” Thrums with Potential
Mother Mary may lose itself in the spotlight, but you’ll be hard-pressed to find a film that delivers such a wallop in the form of Coel and Hathway.