The Greek Ties to Pittsburgh’s Movie Theaters of Yesteryear
Tina Kakadelis Tina Kakadelis

The Greek Ties to Pittsburgh’s Movie Theaters of Yesteryear

My dad has always said that his favorite moviegoing memory is the open-air cinemas of Greece. Some of my earliest moviegoing memories are of the drive-in theater of my mom’s hometown of Carmichaels, PA, located sixty miles south of Pittsburgh. Neither of them can fathom how these life experiences led to this career and this article, but what none of us considered was Pittsburgh’s rich history of Greek cinemas.

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“Tuner” Strikes a Chord
Tina Kakadelis Tina Kakadelis

“Tuner” Strikes a Chord

Tuner is a quest for that tranquility in a world that is too loud. One that hits all the right notes — tuned not to perfection, but to the discordant reality that ultimately creates something special in its imperfections.

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“Forge” Almost Manages to Break the Mold
Tina Kakadelis Tina Kakadelis

“Forge” Almost Manages to Break the Mold

Forge is weighed down by some of the expected genre tropes of heist flicks, but manages to weave its own story about the intersection of identity and ambition in the capitalist hellscape we all live in.

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“$POSITIONS” is a Gamble that Pays Off
Tina Kakadelis Tina Kakadelis

“$POSITIONS” is a Gamble that Pays Off

Director Brandon Daley may have taken some inspiration from the anxiety filmmakers extraordinaire, but Daley’s $POSITIONS is wholly his vision, as manic and alarming as that may be.

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“Love Letter” 4K Restoration Brings Memories to Focus
Tina Kakadelis Tina Kakadelis

“Love Letter” 4K Restoration Brings Memories to Focus

Love Letter is sweepingly romantic, but not in the way one might expect. It’s not a film about falling in love in the traditional sense, but the quiet comfort of the moments that linger and the ways they shape the rest of our lives.

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Max Aruj Reignites the Sounds of John Creasy in “Man on Fire”
Tina Kakadelis Tina Kakadelis

Max Aruj Reignites the Sounds of John Creasy in “Man on Fire”

Composer Max Aruj is no stranger to action and danger. He’s learned from the legendary Lorne Balfe and Hans Zimmer, composers of Mission: Impossible — The Final Reckoning, and now has the distinct honor of writing the music for the newly released Man on Fire Netflix series.

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