“The Python Hunt” Slithers to Something Deeper
The Python Hunt is thrilling and weird, but what remains is a reminder of how easily we humans can carelessly and devastatingly alter the world around us.
CMU Student Takes on Role of Anthony Bourdain in "Tony" First Trailer
While shooting The Holdovers, Dominic Sessa was accepted and admitted to the prestigious drama program at Carnegie Mellon University. He’s currently on a leave of absence. You would be too if you were cast as the lead in the upcoming A24 Anthony Bourdain biopic, Tony.
Have You Seen This PGH-Made Film? - “Cha Cha Real Smooth”
While Shithouse was shot in LA, Cooper Raiff’s second film, Cha Cha Real Smooth, would bring him to Pittsburgh.
“Screams from the Tower” is for the ’90s Weirdos
Screams from the Tower is a love letter to the analog days of radio and a sweet little flick about weirdos finding a wavelength all their own.
“The King of the Internet” is Frenetic Madness in the Early Digital Age
The King of the Internet wholly puts the audience in Daniel’s seat. It’s a sometimes uncomfortable, sometimes freeing place, sometimes criminal place to be.
“The Devil Wears Prada 2” is Well-Worn, but Not in a Good Way
The Devil Wears Prada 2 brings back all your old favorites, but a quote from Miranda in the original floats to mind. “Florals? For spring? Groundbreaking.” Simplified nostalgia? For moviegoers? Groundbreaking.
“Between Two Waves” is Not Your Average Haunted House Flick
Between Two Waves is a familial drama sifted through a psychological thriller and it’s through this combination that the film is able to reach new heights.
Hansen Bursic Talks Advocacy and Documentary Work in Pittsburgh and Beyond
Hansen Bursic’s path to filmmaking started in self-described “god-awful narrative student films.” He was studying at Temple University under the impression that fiction would be the focus of his film career, but Bursic’s natural inclination to advocacy changed that path.
Tomás Videla Welcomes Home the Score of “The House of the Spirits”
For Argentinian composer Tomás Videla, the chance to be part of The House of the Spirits, such an important piece of South American storytelling, was too exciting to pass up.
“Mother Mary” Thrums with Potential
Mother Mary may lose itself in the spotlight, but you’ll be hard-pressed to find a film that delivers such a wallop in the form of Coel and Hathway.
“Basic Psych” is No Basic Morality Play
When Basic Psych is mining the moral conflict this predicament presents, it’s at its most compelling.
“Buffet Infinity” is 3am Channel Surfing at its Finest
As much as it is a movie, Buffet Infinity is also an experience in the charming, analog oddities of yesteryear.
“Widow’s Bay” Should Be Your Next Watch
One of the standout new series of the year, Widow’s Bay will keep you frightfully laughing all the way through.
“Over Your Dead Body” Needs Resuscitating
Over Your Dead Body has too much dead weight to make for a dark look at a romantic relationship.
“Broken Bird” Has Some Wings
For a first-time feature director, Broken Bird is quite the introduction. Mitchell has an eye for performance and design that are excitingly fresh.
“Mārama” is a Gothic, Colonialist Nightmare
Mārama is a revenge tale, but simply calling it that would ignore the fuel that keeps the story running at full force until its final moments. Mārama is retribution.
“Michael” Misses a Note
Michael is another entry in the genre of biopics that doesn’t want to handle the reality of the person they’re shining the spotlight on.
Movies Will Take Flight in Old Pittsburgh Airport Terminal
While the hullabaloo may have died down about the opening of the new Pittsburgh International Airport terminal, it seems the city isn’t ready to say goodbye to the old one.
“Erupcja” Puts Charli XCX in a Raw, New Light
Erupcja is an encapsulation of the magic, pain, and lingering loss of a person who has changed.
“Lee Cronin’s The Mummy” Has No Thrills Under its Wrapping
Lee Cronin’s The Mummy lacks that bite in its evil entity, and if the film isn’t fueled by a millennia-long sense of ire, there’s not much that separates it from the standard horror of a popcorn flick.