Tribeca: TJ + Kim Burch Talk Son Nolan’s Legacy in “4000 Days”
Eleven years is a little over 4,000 days. More than a decade’s worth of time, all working toward the same goal. Daniel E Catullo III’s Tribeca-premiering documentary 4000 Days chronicles the decade-plus saga of families fighting for legislative change to prevent hazing deaths at colleges and universities.
Tribeca: Director Daniel E Catullo III Talks “4000 Days” Doc About Campus Hazing
Daniel E Catullo III has four films screening at the 2026 Tribeca Film Festival. Three of them have a lot in common. They’re music documentaries he produced for Peter Frampton, Katy Perry, and Alicia Keys. The fourth film is 4000 Days, a documentary Catullo III directed about fraternity hazing.
FYC: “Only Murders in the Building” Sings a Tune
Sophie Rose, Michael Blum, and David Archuleta are the writers behind “Wish That You Were Me,” the song heavily featured in the latest season of Only Murders in the Building.
Composer Uno Helmersson Captures the End of an Era in “One Last Adventure: The Making of Stranger Things 5”
Almost a decade ago, Stranger Things premiered on Netflix. The Stephen King and Steven Spielberg-inspired series would run for five seasons over the course of about ten years.
Anna Maxwell Martin, Agnes O’Casey, Adam Nagaitis, & Ruby Ashbourne Serkis Talk “Star City”
Fans will be happy to know that the world of this alternate history doesn’t end with For All Mankind. On May 29, 2026, Apple TV+ will release the first two episodes of Star City.
Xander Robin & Nick León Talk Magical, Weird South Florida Wonders in “The Python Hunt”
Florida is an enigma. Unlike most other places in the United States, it has a mysticism that isn’t easy to pin down. Something otherworldly combines with the strange, natural beauty to create the wonder that is Florida.
Max Aruj Reignites the Sounds of John Creasy in “Man on Fire”
Composer Max Aruj is no stranger to action and danger. He’s learned from the legendary Lorne Balfe and Hans Zimmer, composers of Mission: Impossible — The Final Reckoning, and now has the distinct honor of writing the music for the newly released Man on Fire Netflix series.
Tomás Videla Welcomes Home the Score of “The House of the Spirits”
For Argentinian composer Tomás Videla, the chance to be part of The House of the Spirits, such an important piece of South American storytelling, was too exciting to pass up.
Composer Amanda Jones Puts Humanity in “Murderbot” Score
There are many paths a composer can take to get to the world of film and TV scoring. Some cut their teeth in a band, others in an orchestra, but Amanda Jones may be one of the only composers who credits her time as a senior music coordinator for Lionsgate as her start in the industry.
Paul Leonard-Morgan Captures the Masculine and Feminine in “Inside the Manosphere” & “Pretty Lethal” Scores
Composer Paul Leonard-Morgan has found himself at a strange moment in his career. His two latest scores, on paper, are at opposite ends of the spectrum.
Ash Cook and Video Store•Age Want You to Watch More Movies
Once upon a time, there was a video store on every block. Inside, underneath harsh fluorescent lights, were thousands of movies available to borrow.
Executive Producer Suzanne Lavery on the Search for Connection in Apple TV’s “Twisted Yoga”
The story of Twisted Yoga is still ongoing, which is not often the case for subjects of a documentary. Executive Producer Suzanne Lavery didn’t come across this story in a typical fashion either.
Grace Van Dien Talks Life on the Run in “Silver Star”
Grace Van Dien is a pregnant teenager on the run in the upcoming Silver Star. It’s a good, old-fashioned American road trip movie that centers on two characters who are rarely given the opportunity to sit in the driver’s seat of a film like this.
Slamdance ’26: Mechi Lakatos and Lucy Sandler Talk Improvised Madness of “Danny Is My Boyfriend”
Mechi Lakatos and Lucy Sandler are the mad geniuses behind Danny Is My Boyfriend. It’s a delightfully lo-fi odyssey across Los Angeles in pursuit of revenge.
Slamdance ’26: Writer/Director Jessica Barr Talks Millennial Frustration in “The Plan”
Writer/director Jessica Barr decided to take the planning to another level with her Slamdance-premiering The Plan. The entire film is an unbroken pressure cooker of a single take that captures Barr’s own frustrations about the state of the world.
Composer Mac Quayle Finds Grotesque Grittiness in “The Beauty” Score
The Beauty is a blend of extreme body horror and Fincher-esque crime investigations. It’s composer Mac Quayle’s job to find the common thread between these two worlds.
Composer Craig Wedren Breaks Down LA Musical Odyssey in “Gail Daughtry and the Celebrity Sex Pass”
Twenty-five years ago, the rambunctious cast and crew of Wet Hot American Summer stormed Sundance. The movie was the brainchild of David Wain and Michael Showalter. When Wain was looking for someone to write music for Wet Hot American Summer, it seemed like a no-brainer to call upon his childhood friend, Craig Wedren.
Meet the People Behind the Resurgence of Filmmaker-Focused Distribution: Billy Ray Brewton and Ryan Verrill of Antenna Releasing
Cofounded by Ryan Verrill, Francis Galluppi, and Billy Ray Brewton, Antenna Releasing is a filmmaker-focused distribution company. To Antenna Releasing, distribution means that both theatrical and physical media are done in a way that’s thoughtful and respects the effort of those who made the film.
Composer Emilie Levienaise-Farrouch Talks Soaring Score in “H is for Hawk”
Emilie Levienaise-Farrouch’s score for the upcoming film, H Is for Hawk, has to find a balance between humans and nature through its music.
Lovell Holder Talks Time and Identity in Debut Novel “The Book of Luke”
Writer Lovell Holder is a lover of reality television, and it’s in this world of competition, identity politics, and national attention that he set his first novel, The Book of Luke.